That way you arrive at a usable pattern on the fretboard – a shape you are playing with your fingers.to think of the notes in the scale as intervals with the root.W and H does not tell you anything about how individual notes will sound within the context of a scale.Half step counting is not very effective when descending in the scale or improvising within it.Counting whole steps and half steps will not tell you anything about the names of notes.With this method of counting it is necessary to start from the top of the scale each time to know if a note is part of a scale or not.You need the notes under your fingers immediately, not after cumbersome counting.Here again is why I don’t promote WHWWHWW. reading sheetmusic (it is much easier if you know scales and know how to play them on the fretboard! Learn theory first, then reading).Here they are: Knowing scales is super useful for Points I made for the major scale hold true for the minor as well. My shortcut methods are much preferable to the usual WHWWHWW (which is the formula for minor. Take a look at the info guide below for a super useful shortcut on the bass – how major and minor scales are related! Relative scales share the same key signature (ie accidentals, ie notes, the same seven notes!), but they start on different notes. Major and minor scales are related! Start a major scale on the sixth scale degree and declare that note the root – there is the relative minor. Make sure to check out this blog post on notes as well as this one on the major scale, in case you missed these posts. Now that we have looked at my ultimate shortcuts for the major scale, look at the minor scale. The Pattern System for the Bass Player Wallchart.How to Use The Wall Chart: Tips and Tutorials.Music Theory Wall Chart for the Bass Player.Ari’s Rhythm Matrix 10-week Live Classes.Eartraining & Transcribing Ongoing Practice Groups.Fantastic Fingerstyle Funk – Josh Cohen.
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